errantember: (Little Cowboy Scott)
Tonight I pulled out my performance setup and plugged it into the home theater system. I wanted to see and hear it big and live as it will be on stage, and also start working bugs out of the system. Although I've ordered a Rocktron MIDI Mate pedalboard, it hasn't arrived yet, so I'm still using my keyboard for triggering.

The dogs were *very* confused.
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errantember: (Little Cowboy Scott)
So I have Ableton Live, a fairly insane musical package designed for live performance. My eventual goal is to be able to control an entire show, made up of anything from live, real-time performance to pre-recorded anything, and all combinations in between, while singing and doing firedancing, all by myself.

Preferably wirelessly.

Using MIDI, a networking standard for electronic instruments, it's possible to control each end every thing that Live can do. For instance, you can have it trigger a pre-recorded sound effect, start or stop any part of a song, jump to another place inside the same song, change the volume of track 3, or whatever. You can even record parts of your current performance live for looping, distorting, harmonizing, etc, like Kid Beyond does.

It's nuts.

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errantember: (Little Cowboy Scott)
So I'm working on my Kid Beyond wanna-be setup with Ableton Live. Although I'm only using the computer and a set of headphones at the moment, I'm simulating a stage setup where there will only be a MIDI device (probably a keyboard in my case instead of foot pedals) and a microphone. So far it's going pretty well, I just hit a key and it starts recording, then loops that loop until I tell it to stop, then I add more loops on top until I get dizzy.

On the way to Poly First Wednesday this week, my Inner Five-Year-Old Dictator was busily composing a song about how much better he is than everyone else, and how totally unreasonable it is for anyone to waste his time by imagining their own priorities to somehow be relevant. So far I've only gotten a few lines done, but like any project that at least part of me finds really important, it's taken on a life of it's own. The opening line is:

"I don't have time to tell you about all the things I don't have time for."

I look forward to a day when my perfectionistic self will be willing to perform it in public.

Assuming I have time.
errantember: (Little Cowboy Scott)
Laura Scarborough is one of my favorite local artists and muses. I hadn't seen her play an in-town musical gig in along time, largely because she's been doing more MC and theater work recently. I got a chance to hear her play at Barcelona downtown Monday night. About half way through the gig, I decided it would be a good choice to take the inspiration home while I still had some time and try some digital synesthesia myself. I've long had many sweet components waiting to assembled into a Digital Funk Engine of Doom, but I've rarely spent the time necessary to actually, say, *make music* or anything fancy like that.

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